Apr. 22nd, 2008

[identity profile] verushka70.livejournal.com
Firstly, my apologies on the tardiness of this piece. I was supposed to go a week or two after [livejournal.com profile] nos4a2no9. Riiiight. *sigh* Anyway, here we go!

The original question was:

“What's the best way to structure a story that doesn't use a conventional A-B-C plotline? I want (desperately) to write a story that manipulates time and incorporates a lot of flashbacks/flash-forwards but I'm not sure how to go about it, or what to avoid. Can someone help?”

I've broken up the answer into parts, including
Why this question took so frakkin’ long to answer

Writing a story vs. Telling a story, and about the DS stories, and movies, analyzed here

Learning the rules so you can break them: Chronological narratives with causally dependent plot events—the conventional story narrative

How to write chronological narrative stories

“Post-modern” plots which are actually narratives, underneath all their fancy dress: Pulp Fiction, Memento, Run Lola Run

Non-narrative/non-chronological plots that actually are narrative/chronological, Part I: Examples in DS fanfic (“Tell Me A Story”; “More Than You Know”; “After”)

Non-narrative/non-chronological plots that actually are narrative/chronological, Part II: Examples in DS fanfic: (untitled Post-It notes story; At The Time Of Writing)

Complicated or multiple narratives within the same story: DS fanfic example (“Acharnement”)

How to write a truly non-chronological, non-narrative story

A note on truly non-narrative, non-chronological “plotless” stories (and DS fic comparison: The Fraser Record (Excerpts))

Finally, complicated or multiple narratives within the same story, with flashbacks and/or flashforwards (DS story examples: Stop Me If You've Heard This One; Thus Every Feather Obeys The Wind)

In summary

Kindly head this way for the workshop piece and plot analyses! )

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An archive of the Due South Workshop comm from LJ

October 2011

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